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(L-R) Hutch Harris, Kathy Foster and Westin Glass of The Thermals perform on the SIRIUS XMU channel at SIRIUS XM Radio Studio on May 11, 2009 in New York City.
(Photo by Astrid Stawiarz/Getty Images) When last we heard from the Thermals, they were railing against the political establishment with “The Body, the Blood, the Machine,” a scathing allegory about, in the words of singer-guitarist Hutch Harris, “a fascist Christian government ruling the U. with an iron fist and going to war with the world.” These days, they have a new message: “Oh-way-oh, a-whoa-oh.” On “Now We Can See,” the fourth studio album from the Portland, Ore., indie-rock band led by San Jose natives Harris and Kathy Foster, the Thermals achieve new levels of pop accessibility and sonic clarity — albeit in a concept album about death.
The first Thermals CD, 2003’s “More Parts Per Million,” was a defiantly lo-fi affair, recorded on cassette in Harris’ kitchen.
“We’re all about Portland.” Contact Shay Quillen at [email protected] 408-920-2741.
Find more of his stories and a link to his blog at
Hutch Harris and Kathy Foster weren’t always brash punk rockers.
Before forming The Thermals, the duo wrote and recorded eccentric folk-pop tunes as Hutch and Kathy.